| The Grass Harp | |
|---|---|
| Directed by | Charles Matthau |
| Produced by | Charles Matthau Jerry Tokofsky John Winfield |
| Written by | Truman Capote (novel) Stirling Silliphant (screenplay) |
| Starring | Piper Laurie Sissy Spacek Walter Matthau Edward Furlong Nell Carter |
| Cinematography | John A. Alonzo |
| Distributed by | Fine Line Features |
| Release date(s) | 1995 |
| Running time | 107 minutes |
| Country | United States |
| Language | English |
The Grass Harp is a 1995 dramatic-comedy film directed by Charles Matthau and starring Piper Laurie, Sissy Spacek, Walter Matthau, Edward Furlong, and Nell Carter. Piper Laurie won the Best Supporting Actress award from the Southeastern Film Critics Association for her work on the film.[1]
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Set in a small 1940s Alabama town, the film follows Collin Fenwick (Edward Furlong) as he is sent to live with his father's maiden cousins, the sweet Dolly (Piper Laurie) and the overbearing Verena (Sissy Spacek), following the death of his mother. He soon discovers that the Talbo household is anything but normal. After also losing his father, Collin grows to be close to Dolly and Catherine (Nell Carter) and becomes acquainted with the eccentric townspeople, from the gossip-loving barber (Roddy McDowall) to a traveling evangelist with fifteen illegitimate kids (Mary Steenburgen). To escape Verena's oppression, Dolly, Collin, and Catherine run away to an old tree house in the woods. Their rebellion sparks a series of events that change their lives and the entire town as well.[1][2][3]
The Grass Harp feature film was closely based on Truman Capote's 1951 semi-autobiographical novel of the same name. The screenplay was written by Stirling Silliphant and Kirk Ellis. Silliphant's prior credits included In the Heat of the Night, The Towering Inferno, and The Poseidon Adventure. The film was directed by Charles Matthau, son of Walter Matthau. It was filmed on location in Wetumpka, Alabama.[3]
The New York Times review of the film stated that the actors' performances were "uniformly expert, sharp renderings of distinctive individuals" and that Charles Matthau had "managed to set them in a landscape specifically distant and atmospheric".[3] The Los Angeles Times review called it a beguiling film and one that "celebrates rebirth and renewal but within a tough-minded view of life that never allows it to lapse into a fairy tale".[4] Variety called it a "sensitive screenplay adaptation" and noted the film's "wonderful ensemble cast".[5] Despite generally good reviews, the film did poorly at the box office. With an estimated budget of $9 million, the film grossed only roughly $1.5 million in ticket sales.[6]